Pictures, letters, symbols and sounds:
A look at shape and meaning
Text first published in Typebox catalog 2001
Form follows function? This time-worn and often misunderstood approach found a recent alternative in Form calls for content. It seems to make better sense todayyet, the internet quickly deteriorated the term content into evasive newspeak for any agenda. So, I think "Form makes us ask for meaning." We are intrigued by new shapes and we yearn to figure out everything we encounter. All life carries this desire in its genes, to be in control of our surroundings. This is my paradigm for being an information designer, type designer, and cartoonist at the same time. If I focus on form and meaning, I can see how all design fields are connected:
Concept and origins:
Ancient ways of recording meaning began to connect us to each other, sharing information, emotions and spirituality, passing our culture on to future generations. Images were the first carriers of meaning: from cave painting, it was a quick step to the first standardized symbols, and then to written language. The hieroglyphs of Egypt, the Chinese Kanji system, and Mediterranean culture all provide well-documented trails from content-filled glyphs to phonetic marks. This transition seems largely a global phenomenon.
Expression and essence:
We still call all the shapes in a font charactersdo we want them to have personality? Meanwhile, the pictorial approach transformed into our international pictogramssince writing is confined to language. Pictograms take an interesting position between typographic characters and cartoons. As for form, icons are closer to letters: like a typeface, a system of icons needs to be all in the same style, in order to be identified as a coherent system. As for meaning, icons may be closer to cartoons: Both are simplified depictions bearing messages for quick recognition.
Time and abstraction:
The next larger space for expression is the aspect of time. Its purest form may be the pictorial sequence, like in emergency instructions. A salute goes to writing where all elements mix: From cave painting to modern comics, storytelling has relied upon imagery for support. Actor characters are joined by typographic characters for speech or drama: boom, shazam! gatan, burun! Simplified for efficiency, but not always more primitive: Concise immediacy may stir thought, while leaving space for interpretation and identification with a good tale. Increasingly life-like communication in modern media is not to the benefit of sharing meaningful essence. Intensifying literal experience on a physical or emotional level is merely superficial stimulus, and distracts from desires to take home deeper ideas for life.
Abstraction, essence, meaning: Between my disciplines of information, type, and image-creation, I see what this diversity has in common. Cross-pollination not only creates interesting hybrid work, but also helps define a deeper sense of consistency. A picture is worth a thousand wordsbut a single word can evoke as many images. There is no separation between image, word and letternor between spiritual and pragmatic, or fun and serious. All elements are companions for meaning. Let's respect and enjoy that, and keep going.
Joachim Muller-Lance graduated with honors from the Basel School of Design in Switzerland and studied Fine Arts at Cooper Union in New York. He has been a senior designer at Access Press/The Understanding Business New York/San Francisco, designed cultural exhibitions and publications related to the 1992 Olympics in Barcelona, and was Lead information designer for Barclays Global Investors in San Francisco for 3 years. He received the Gold Prize of the 1993 Morisawa Awards for his "Lance" typeface family, and two awards for his first Kanji and Latin typeface "Shirokuro" at the 1999 Morisawa Awards. Since 1997, Joachim is principal of Kame Design, for graphic and information design, typefaces, cartooning and animation.
TX Monodular Square Bold
icons / illustrations:
Localmatters.com (w/ Fangohr LLC)
Wired magazine Infoporn
Panarobo-kun & Sonico-chan, Toolbox mascots
(w/ Fangohr LLC, Renegade Marketing)
Mini-Maru Samurai & Ninja
Shuriken Boy & Girl animation
Lotus software icons (w/ M.A.D.)
Lotus intranet icons (w/ M.A.D.)
Chinese zodiac icons
PBD Smart Yellow Pages (w/ TUB)
Barcelona district shields
Salesforce interface icons (w/ Hot Studio)
FontShop calendar page
Signal Signifier Pi-font
Ouch! font sample art: toy
Ouch! font sample art: CD
Tsunami Aid Fleuron Pi-font
TinyTim board game
Sayonara Miki-chan party
Kame Design winter greeting
Happy Yotaro painting
Super Ann mascot character